ICWF 2015: Beethoven and the Moderns led by Larry Rachleff and Donald Schleicher

ICWF 2015: Beethoven and the Moderns led by Larry Rachleff and Donald Schleicher
ICWF 2015: Beethoven and the Moderns

From July 25-August 4, 2015 the International Conducting Workshop and Festival is again proud to hold a workshop, next summer back in Sofia, Bulgaria hosted by our old friends the New Symphony Orchestra, led by two of the most internationally esteemed conducting teachers: Larry Rachleff (Rice University and Rhode Island Philharmonic) and Donald Schleicher (University of Illinois and Pine Mountain Music Festival). They will be assisted by Benjamin Loeb (ICWF Artistic Director).

Donald SchleicherAs in the past, we will offer conducting training and critique in a non-competitive, professional and supportive atmosphere. It is a great opportunity to immerse oneself deeply in important standard and challenging orchestral repertoire which will include Beethoven Symphonies #3 and 5 and Leonore Overture #3, Shostakovich Symphony #5 and either the Violin or Cello Concerto #1, Copland El Salon Mexico and Appalachian Spring and Bernstein Candide Overture. (Repertoire is subject to change).

The schedule currently includes 12 Orchestra sessions (both 3- and 4-hour), 8 3-hour Sextet sessions, (one more of each than last summer), discussion, study and special subject sessions led by Susan Dunn, and a Chamber Music Concert. Each full participant will have 60 minutes of podium time with the full orchestra and at least 30 minutes with the sextet.

In the Orchestra sessions, conducting slots are 10 minutes long. In the Sextet sessions, participants will conduct a string quintet plus piano, which covers woodwinds and brass parts. Parts of some quintet sessions may be devoted to difficult excerpts that are pre-selected from the workshop repertoire that all participants will be expected to prepare. In the remainder of the sextet sessions, passages are to be selected by the participant. Each conductor will have individual choice of repertoire during orchestra sessions. In all sessions, podium time slots will be flexibly and transparently pre-assigned.

Levels of Participation
For this workshop we are offering only one level of participation which will include 60 minutes with the full orchestra. Sextet sessions will be equally divided among all conductors. All orchestra and sextet sessions will take place in the palatial Boyana Residence (subject to change).

Auditing is also available, but does not include any active podium time. The auditor level is designed for those either who have little experience and training, but show promise, or those with ample opportunity to conduct throughout the year, but want to use this workshop as a chance to observe master teaching.

All tuition fees include hotel and two meals each day. Fees must be paid in $US.

All sessions will be Digitally Recorded and ample opportunity will be provided to view session recordings. At the end of each conducting session or day, each conductor will receive a digital file of that session. Participants must provide storage media (hard drive is most recommended).

Concurrent with the workshop, the International Conducting Workshop Festival will present one Chamber Music Concert featuring faculty, guest artists, and NSO members. Participants will not perform on these concerts. The repertoire on these concerts will be devoted to music of the three composers and their contemporaries. All rehearsals and concerts are open to the participants.

New Symphony Orchestra
The New Symphony Orchestra was founded in 1991 as an alternative to the existing musical institutions financially supported and controlled by the state. During the years since it was founded the New Symphony Orchestra has produced a cultural model of its own and has created a Society of Friends, dedicated to the welfare of this cultural institution, which is unique in Bulgaria. Julia Hristova’s Concert House, opened in 1990, served as a basis on which the Orchestra was founded. This House had its own unique system of organizing and financing the orchestra and working with its young musicians. According to the words of its founder, Julia Hristova, “We worked not to survive but to create.”

From the very beginning the idea of the New Symphony Orchestra was to be both a school and an institution taking care of young, talented musicians who had no experience on the stages of concert halls, but who had the strong desire to work and perfect them-selves. Over eight hundred musicians of an average age between 18 and 27 have played for the Orchestra. Musician from the School of the New Symphony Orchestra are now members of the biggest Bulgarian orchestral institutions and opera houses, and of orchestras in the USA, Latin America, South Africa, Western and Central Europe. The leading principles in the work with the young musicians, most of whom are still students, is respect for one’s personal opinions, equal opportunities and flexibility in the system of work. According to Julia Hristova “The most important goal in our work is not the concert, but one’s love in the process of ‘making’ music”.

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